The grooves and sonic passages of Ghost Seed draw from many sources: 60s organ grooves, 90s free funk, spiritual jazz and modern abstractions which all blend together in an authentic way.
Bourelly sounds possessed on tracks as if he wants to shake free the locked up angels of blues past.
While the organ sound of Ilorensett Barcelo certainly echoes the proud legacy of organ master Jimmy Smith, yet he is a young talent moving his own way.
Dani Domingues frames the group with masterful drumming often of asymmetrical logic and energetic leaps of faith, where time and groove seem to dance on a sharp edge.
Ghosting is a term Bourelly uses quite often to describe musical ideas that appear and disappear within creative exchanges as the group is building, with Ghost Seed this element takes hold and creates the very illusory textures that become the stamp for this NOW sound.